Skip to main content

Biddeford by Sun Seeker

\5.8.19\


The story of this album for me begins in Nashville, TN on a rather important roadtrip across the country. Here I visited Third Man Records, the first one, and was initially disappointed by the size, but began to love it for everything inside. In a small crate in the corner were records recommended by the staff, and my eyes were immediately drawn to one recommended by Megan. Whether this was Meg White of White Stripes fame, I could only hope. 

Sun Seeker is another Nashville based group with strong ties to Third Man Records. In 2016, guitarist Alex Benick, bassist Asher Horton, and Drummer Pen Parks (all of whom provide vocals) released their debut single on TMR “Georgia Dust”. This was an excellent start for the group, giving them a solid following ahead of their debut EP released the next year.

What I found most enjoyable was how organically Sun Seeker blends folk sounds with electrical instruments, giving it a cloudy, chill vibe. The lyrics on this album sound so timeless, and it has to be one of the bands best traits. On Biddeford The trio added  keyboardist Rodrigo Avendano to the mix who provided a more folk leaning sound, which in my opinion brings more balance to each song.

The EP begins on “Churchill” and a soft electric keys that get quickly washed away be the guitar and drums. It cannot be understated how well they craft their lyrics to be timeless, elegant, and important all at once. Even if you aren’t listening to the words actively, their poetic nature contribute to their power. I would akin it to listening to foreign music without understanding the words but still appreciating the vocal performance.

Next, the title track starts with acoustic guitar and my favorite vocal melody of the record

“Won’t Keep Me Up at Night” blends soft electric instruments with the ticking of an acoustic guitar. It feels like simulated nostalgia, bring your own memories.

The acapella on “With Nothing but Our Last Words” make this a stand out song. Along with the upbeat tempo and three minute runtime I’m surprised this wasn’t a lead single. I especially the implementation of the electric guitar like a classic rock song, reminiscent of Whitney.

At twelve dollars plus tax, this was not a bad EP buy. That and being from Third Man Records add to its sentimental feeling to me. Would I recommend this? If you com across it, perhaps. Though I couldn’t imagine searching out this record. It’s a fine addition to my collection, but nothing I can’t listen to on Spotify.

Speaking of, do you know we have two playlists? The New Vinyl Mondays playlist has the best songs from every album we have reviewed, making its nearly twelve hour runtime perfect for road trippin’! And NVM On Rotation is our weekly refreshed playlist where you can find a diverse selection of new and noteworthy tracks and some old favorites that we are feeling.


Comments

Popular posts from this blog

Sunburned by Illiterate Light

  \06.11.23\      It’s an ideal November evening, not warm, not too cold. Mild wind blows leaves into small piles while Welton Street fills with groups of friends to wine, dine, shop, and see some live music. It was within this storybook setting that I first meet Jake and Jeff of Illiterate Light before their show at Cervantes Other Side. Everything leading up to this meeting arguably begin in the Shenandoah Mountains where the power duo first team up in 2015. What follows is a new take on blues, country, rock, sleaze, and an appreciation for my favorite Wilco record, A Ghost Is Born, where they get their name from a line in “Theologians”. You can hear a thread of Wilco’s influence through their first singles and self titled debut album which would catapult them to national recognition. Widely recognized for creative and lively performances, the two of them command the stage standing tall for all to see (yes, even Jake on drums).      I was lucky to si...

Here I Go Again by Britt Devens

  \11.9.23\      Front range local Britt Devens has been crafting folky tracks with a delicate attitude since an EP, All the Pretty Things in 2016. A disciplined and self-taught singer/songwriter, There is a great depth to her work that spans the themes of love and loss, with a strong focus on the moments and people that help us grow and we grow from. More than anything, her music is an avenue for self-exploration and healing while providing a comfortable space for others. By creating this mirror through her work, one can peer into themselves as well.      This is the first full length album from Britt and comes on the tail of the end of an educational career and a relationship she was ready to leave in the rearview mirror. Following a while spent traveling and performing, sometimes with a band, sometimes for a beer and some food, Devens eventually landed back in her home state. Now, sober and better footing, Here I Go Again is here to show off what al...

Underneath by Calicoco

  \28.8.23\      New York has been a breeding ground for boundary-pushing sonic projects in the modern era, but few would look to Rochester for the same creativity NYC has. G Caliolo is changing this expectation, bringing the city slick of their Long Beach, Long Island home to their hometown. Multi-instrumentalist and songwriter only go so far to highlight the talent Caliolo brings to this project. Helped out by Matt DeWaters on bass, Kyle Waldron on guitar, Stephen Roessner on piano, percussion, synth, and a roster of other contributors, Underneath is a blend of punk, lounge, classic rock, and good old indie alternative sounds with a gorgeous patchwork of moods and vibes.       Typically when I sit down to review a record, it is one I’ve listened to more times than I can count, and Underneath is no exception. However, I think the magic of this album comes from the smooth vocals and heavy psychedelic guitar distortions that create a noise that's e...